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Temišvar /Timișoara

15 Friday Feb 2019

P3680115

Piaţa Victoriei – Catedrala Mitropolitană din Timișoara / Orthodox Metropolitan Cathedral
The Orthodox cathedral was built between 1936 and 1946. It’s unique for its Byzantine influenced architecture, which recalls the style of the Bucovina monasteries. At 83m, the dome is the highest in Romania.

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Brancusi

16 Wednesday Jan 2019

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Constantin Brancusi, Endless Column

Constantin Brancusi (1876-1957) was commissioned by the Women’s League of Gorj to honor the soldiers who defended Târgu-Jiu against a German force during World War I. The sculpture is a 30 meter high, column of zinc, brass-clad, cast-iron modules threaded onto a steel spine, and is part of a three-sculpture ensemble along with two travertine monuments called Gate of the Kiss and Table of Silence.

Brancusi

14 Monday Jan 2019

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Constantin Brâncuși, The Table of Silence, Târgu Jiu

Circular stone table surrounded by twelve hourglass-seats, which symbolize time. The Table of Silence represents the moment before the battle on which the combatants were going to participate. Nevertheless, the seats are not located close to the edges of the table.

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echo XIV

04 Wednesday Jul 2018

Da, tudi ti si Nit v Preprogi Dneva, / in tudi tebe Noč z užitkom pije, / a preden te posrka, te prelije / Roka v nov Plamen, da te razodeva … // Morda ne srečaš svojega Odseva / v Pokrajini Zrcal, a vse so tvoje / Oči, in vsakdo tvojo Pesem poje, / in vsakdo v tebi svojo Pot najdeva … // V Morju Trav si krhka Bilka Trave, / krog tebe šepeta si Bilk nešteto, / iz iste Zemlje kličete v Višave, / isto Nebo nad vami je razpeto … // Šotor Ljubezni zeleni v Tišini, / nešteto Bilk prepeva v Ednini …

Šotor Ljubezni / Nežnost, Jaka Košir, 2004

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Krašovec

04 Friday May 2018

Posted by in Art, painter

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Metka Krašovec, akvarel, februar, 2009

»Metka Krašovec premore v svojih predalih obilico malih akvarelov, ki nastajajo že leta in so v resnici intimne meditacije na temo. Mali utrinki, pomisleki ali samo vprašanja, ki jih Metka zapisuje na papir. To so hitri zapisi, včasih že kar podzavestni. Človeške figure delujejo skoraj kot grafični znaki, ki plešejo nenavadno koreografijo v breztežnostnem stanju. A vsaka podoba ima svojo jasno likovno sporočilo. Enostavnost potez, s katerimi so upodobljene figure, zapleta govorica teles. Ta je tisti fokus slik, ki jih dela nenavadne in gledalcu zastavlja fine “uganke”. Mogoče celo avtorici sami. Ali pa so to že nekakšni odgovori, ki jih je treba le še dešifrirati. Lahko pa si to serijo slik razlagamo tudi kot izsek iz dnevnika čustev, nekakšen ples duha,« je zapisal likovni urednik Pavle Učakar.